Tuesday 28 May 2013

ppd

PPD REPORT

In order to really look at what I’ve learnt at level 04, I must first look at the skills I had when I began the course. I’ve always been determined to study on a creative, art-based course. It was only after my BTEC Foundation Diploma at UCA (University of the Creative Arts, Maidstone) that I discovered my suitability for Graphic Design. Balance, composition and layout have always been of high importance to me and I this most likely came from my interest of photography. I wanted to take photographs further in order to communicate. Graphic Design allowed me to do so, as well as using both illustration and type which for me was ideal. I gained the basic skills in the appropriate software and felt comfortable starting the course at level 04. When i compare my graphic design skills to what they were three years ago it’s very clear that i’ve developed as a designer. I begain graphic Design during my foundation year. Originally i thought i was going to choose photography as it’s always been something i’ve been interested in and it inspired me to take photgraphy further to do graphic design.

In first year my ability to discover key sources improved. I really enjoyed looking at graphic design studios, as a lot of their work has been inspiring. By the end of level 04 I had developed a far greater understanding of other designers and the different areas of graphic design I could aim towards. I also developed a big interest in brand identity and graphic design for fashion. My ability to gather research hasn’t been one of my strongest points, however, this course has taught me that it plays a key role in design development

During second year,  developed a strong interest in print-based design. I think this derived from the satisfaction of having a well-printed, finalised design in my hand, whether it’s from screenprint or digital. OUGD203 allowed me to print onto textile, which was a new challenge but after I got the hang of it I really enjoyed it. The second thing I took from level 5 is my passion for working with image and colour. During the collaboration for Fedrigoni I thoroughly enjoyed playing with image and finding that balance of image with type and as a result I was happy with how the finalised designs came out.

Third year has allowed be to find myself as a designer. I’ve always felt a bit lost with graphic design but level 6 has allowed me to find areas of design that i like and be a lot more experimental with layout, colour and processes. Although i don’t tend to be happy with the work i produce, i feel like i’ve become a lot more content with my designs. If i put the effort in to take a brief to its full potential then I’m a lot more satisfied with the final designs.

My biggest inspiration this year has to come from Richard Robinson art direction and design studio. They’re based in London and specialise in design for music and fashion, which are the two main areas that I see myself specialising in. I find their work so visually pleasing, with strong applications of colour, typography and balance. Their work is new and innovative and this is clearly recognised with the studio winning at least 15 prestigious awards since 2004. Richard Robinson gives me something to work towards with my designs and I’ll hopefully be making a studio visit this summer. Other studios that have inspired me this year include Heydays, Build and Tappin Gofton. Making studio visits and potential placements will really help with my industrial experience and design skills.

Also Sawdust studio has inspired my work, with their disciplines including custom typography, image-making, identity and art direction across music, culture and fashion. Their approach has earned them a worldwide reputation for creating visually striking work that is thoughtful, innovative and meticulously crafted.

Non-Format has been a studio I’ve been watching for a while now. Together they work on a range of projects including art direction, design, illustration and custom typography. Being image based myself, I really admire the experimental image work, especially within the music artwork. Photography also plays a key part in this design studio. Inventory studio Inventory Studio is a place for serious and considered play. They take on projects they believe in, aiming to always produce well researched, intelligent, thoughtful and concept driven work.

Since my time on the course, time management has been my downfall. I’ve tried changing it and I’ve definitely improved, however, I still struggle with it. I work quite well under pressure and so maybe having so much time to do a brief doesn’t work for me. My strength from this year has to be variation. I’ve designed a wide range of logos, created experimental image work which I’m quite happy with and explored print processes.

Although graphic design has been a bit of a struggle for me, I’m definitely glad I did it. It’s allowed me to be creative and think visually. The only problem I have with it is sitting at a screen for too long which is something I can potentially work around. I haven’t made any sold plans for next year as I’m making my mind up. I think I’ll apply for a year’s course on photography in London. I feel graphic design would aid this and it could open up a lot more opportunities for me within the industry. That’s the good thing about graphic design; you can relate it back to almost everything.

Wednesday 1 August 2012

Level 05 Report


LEVEL 5 REPORT
Level 5 has been key in my development as I’ve been able to establish exactly who I am as a designer and which direction I see myself going in. This is something that I’ve felt quite lost with but I now feel a lot more confident in myself as a designer.
Over the year I’ve developed a strong interest in print-based design. I think this derived from the satisfaction of having a well-printed, finalised design in my hand, whether it’s from screenprint or digital. OUGD203 allowed me to print onto textile, which was a new challenge but after I got the hang of it I really enjoyed it. The second thing I’ve taken from level 5 is my passion for working with image and colour. During the collaboration for Fedrigoni I thoroughly enjoyed playing with image and finding that balance of image with type and as a result I was happy with how the finalised designs came out. Finally, Identity is definitely an area I’ll be focusing on at level 6. I love the idea of putting together a visual identity for a client. From experience through freelance work, I liked the intimacy of actually meeting up with the client and discussing logos or potential final designs.
I’d definitely say there have been some briefs that I’ve preferred more so than others. At first, I wasn’t too keen on the idea of motion graphics in OUGD202. I’d never really considered it as an area of graphic design that I was interested in, however, once I got the hang of the software After Effects, I found myself getting really into it. I’m actually really pleased with how the videos turned out with the music, but unfortunately I had to learn the hard about backing up your files! Having the skill and knowledge in this area will help give me that competitive edge within the design industry and it compliments Identity really nicely. Enterprise was another module I didn’t enjoy at first. The idea of setting up a business seemed really daunting but once we had some sessions with Jane it all became a lot easier. This was a module that will clearly prove to be very useful in the future as it developed my professionalism as a designer and has given me a lot of confidence with the financial side of things.
Collaboration has played a big part in level 5. When putting together the ‘IF’ magazine for enterprise, it was really nice working as a team. It made me realise that I definitely want to work in a small studio environment after level 6 as you are able to specialise in certain areas and work in a more personal environment which will help me develop as a designer. For the collaboration with OUGD203, I really liked the idea of finding your suited partner by pinning up who you are and what you are looking for. Niall and I decided we would work well together and chose the Fedrigoni brief to work on. This module really helped with my collaborating skills and it’s something I look forward to at level 6.
Fashion has always been one of my passions and after level 5 I now know that it’s the area of industry that I’d love to work in. I’m fascinated by the different cultures within fashion and the general creativity within it. The only thing is I don’t have a lot of experience within this area and so I’ll be researching a lot deeper into this and making studio visits to the ones I think will help me progress. After a year of industrial research I’ve found that I’ve been most inspired by branding and identity for fashion. I’ll be looking into collaborations with fashion students at the college next year, as it will really aid my understanding. Design for high-end fashion is very competitive and I’ll need to ensure I have that edge. Experimentation with my design practise will help me grasp this sophisticated design for fashion and I look forward to really pushing myself. Having such a keen interest in fashion and image has also led to my curiosity with textile design and so again, I look forward to pushing myself in this area.
Music is another passion of mine and I’ve always been inspired by the design for album/promotional artwork. Like with fashion, it’s very image driven and I’m really looking forward to playing around with design for this area. If appropriate, it’s also an area that will allow me to incorporate photography into the designs which is something I’ve been wanting to do for a while as photography is one of my hobby’s that I’d love to bring into my graphics.
My biggest inspiration this year has to come from Richard Robinson art direction and design studio. They’re based in London and specialise in design for music and fashion, which are the two main areas that I see myself specialising in. I find their work so visually pleasing, with strong applications of colour, typography and balance. Their work is new and innovative and this is clearly recognised with the studio winning at least 15 prestigious awards since 2004. Richard Robinson gives me something to work towards with my designs at level 6 and I’ll hopefully be making a studio visit this summer. Other studios that have inspired me this year include Heydays, Build and Tappin Gofton. Making studio visits and potential placements will really help with my industrial experience and design skills.
A lot of time has been spent introducing us to self-promotion this year, where we’ve had to create a visual identity for ourselves as designers. This consists of a logo, business cards, stationary and a creative CV. Although I’m quite happy with how mine have turned out, there’s definitely room for improvement. At level 6 I’ll have a better feel for myself as a designer and how this should be portrayed with self-promotion. Creating a website has been quite challenging so I intend to perfect this for level 6. Web design is something that would give me that creative edge above other designers, especially if I aim to focus on branding and identity.
In order for me to progress at level 6 there are a few things I need to pay attention to. Firstly, I don’t feel like I push myself enough with my work. I’m yet to see what my full potential is as a designer and it’s proved to be something I regret after I complete most briefs. For my final year on the course I aim to commit to changing this as I feel like my skills are a bit wasted with my work level at the moment. Secondly, organisation has to be the biggest thing holding me back as a designer. I’ve always struggled with it throughout education and I still find it quite hard! However, I do feel improvement since being on the course as it’s helped me become more professional. Punctuality is another weak point but this improves with my organisation because the more organised I am, the easier it is to be places on time with the appropriate work I need. Typography is an area I’m still keen to learn more about as I feel it really contributes so the professionalism of designs. Finally, I want to be more experimental with colour next year, especially in textile design as it will help my work to look fresh and appealing.
I think the main thing I look forward to achieving at level 6 is professional practise. Seeing as it’s the last year at Leeds College of Art we’ll all need to be ready to enter the big wide world! In order to do so I’ll be committing to briefs and making sure I enjoy what I’m doing. Competition briefs will aid my personal practise and prepare me for work after the course. Although we’ve been learning to set up our own websites, there’s still a lot I need to work on with self-promotion. It’ll prove to be vital in terms of getting ourselves out there. I aim to take advantage of the facilities and studio time given to us in order to really push myself as a designer. As a result I’ll be a lot more satisfied with the work I produce and will create a strong portfolio to present to studios. Overall I’m really excited about progressing onto level 6. The thing I’m most looking forward to is simply pushing myself to my full potential as I’ve not been satisfied with my work level to date. Improving my motivation and commitment to the course will allow me to achieve the professionalism I will need to become a successful Graphic Designer.

task 6

website development>>

























I started experimenting with layouts for my website and actually found it quite difficult to find a composition and style I'm happy with. In particular I found widths & proportions quite tricky as it's hard not to be a perfectionist with it. I think once I become more comfortable with the software I can create a web design that I'm truly happy with as a means of self-promotion.



























current web design>>








task 5

I decided to bring my visual identity together to see how it all sits beside one another. So far this includes a Creative CV, a business card and a sticker. Although I think it all comes together quite nicely, I'm curious to see how this will develop at level 6 as I don't feel like it fully represents my potential as a designer. However, it will do for now!




task 5





















 After experimenting with type, logos, colours and business card compositions I've decided to go with the green design below. I wanted to keep the designs quite minimal and balanced as I felt it was important for my style to be reflected onto the business cards. I chose a minty green (#5EBC9C) as I felt it kept the design quite calming and fresh.





task 4

Experimenting with & finalising the creative CV >>




































After playing around with layout and composition I've decided to go with the design below. I felt the others were a bit too busy and this one keeps it simple. It also sits much nicer with my business cards >>














task 4

 HEYDAYS
Heydays AS
Vibes gate 17
0356 Oslo
Norway
(+47) 905 19 260
studio@heydays.no
Mathias Haddal Hovet
Studio manager
(+47) 905 19 260
mathias@heydays.no
Lars Kjelsnes
Graphic designer
(+47) 940 55 733
lars@heydays.no

Martin Sanne Kristiansen
Interactive & graphic designer
(+47) 924 09 788
martin@heydays.no
Stein Henrik Haugen
Graphic designer
(+47) 986 26 636
stein@heydays.no

Thomas Lein
Graphic designer
(+47) 414 65 179
thomas@heydays.no


BUILD
Unit 15
Hiltongrove
12—15 Hatherley Mews
Walthamstow
London
E17 4QP
+44(0)20 8521 1040

RICHARD ROBINSON
Contact –
Unit A, 3rd Floor, Karen House,
1-11 Bache’s Street
London, N1 6DL
Tel +44(0)77 5911 4775
Email

ARTWORKLOVE
studio@artworklove.com
105 rue du Faubourg du Temple
75010 Paris

33 (0)1 42 40 24 81
Ben Reece
ben@artworklove.com
33 (0)6 16 36 69 16


Marion Laurens
marion@artworklove.com
33 (0)6 25 78 40 68
Caroline de Vries
caro@artworklove.com
33 (0)6 74 56 69 10

TAPPIN GOFTON
+44 (0)20 7729 3157
studio@tappingofton.com


MIND DESIGN
contact
Mind Design
Unit 33A, Regents Studios
8 Andrews Road, London E8 4QN

Telephone: +44 (0)20 7254 2114

DN&CO
75 Wigmore Street, London W1U 1QD
+44 20 7486 4400
mail@dnco.com

OK-RM
http://www.ok-rm.co.uk/
Studio 2.3,
1–5 Vyner Street,
London,
E2 9DG, UK
info@ok-rm.co.uk
+44(0) 208 981 9881

MADE BY SIX
The Loft
20 Narborough Wood Park
Desford Rd, Enderby
Leicestershire LE19 4XT 


+44 (0)116 238 6555

hello@madebysix.com

STUDIO 8
Contact
Studio8 Design
1 Sans Walk
London
EC1R 0LT

+44 (0)20 7251 6430

NR2154
DENMARK
Vesterbrogade 69D
2sal Baghuset
1620 Copenhagen V
Denmark
T
+45 33 12 14 04
USA

368 Broadway Suite 401
New York
NY 10013
USA
T
+1 212 203 5806